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Archive of entries posted by Iris

Weekly Prompt: Ekphrastic Poetry

Torso of ApolloEdvard Munch’s “The ScreamGrecian Urn

In keeping with our theme for the month, The Page Transformed, this week we’ll be looking at the ekphrastic poem, or poetry written in conversation with a work(s) of visual art.  In its most traditional form, the ekphrastic poem is an elaborate, highly detailed description of a work of [...]

Editors’ Picks: “My Issei Parents… Now I Hear Them”

I was browsing the American Literary History Journal the other day and came across Corinne E. Blackmer’s “Writing Poetry like a ‘Woman’.”   In it, I found this observation on the subject of writing by incarcerated Japanese American women during World War II:
The experience of these [internment] camps radically affected the writing of issei and nisei women [...]

Weekly Prompt: The Poem of Invocation

This week we’ll be experimenting with poems of invocation; that is, poems that employ direct address to construct and position a “You.”  When thinking of the “addressee” of a poem, we are often tempted to think simply of audience.  In the poem of invocation, however, “You” is a much more active presence in the poem; [...]

Weekly Prompt: The Cento, Semi-Cento, or Found Poem

The cento is a poetic form composed entirely of secondary (usually poetic) texts.  The word “cento” derives from the Latin word for “patchwork,” or “patchwork cloak,” and in its classical form, was composed exclusively of language from either from a single poet or from several.  Ausonius, the Roman originator of the form, stipulated that the [...]

Editors’ Picks: Reflections on (Re)Fashioning Japonisme

Recently I’ve become interested in nineteenth century japonisme, a strain of ”Japan-fever” that Akane  Kawakami, author of Travellers’ Visions: French Literary Encounters With Japan, 1887-2004, describes as a “passing Parisian fad [which] became an important part of the creative imagination of major artists, composers and writers of the period.”  One of these writers, French naval officer Pierre Loti, became widely popular for [...]

Editors’ Picks: The Art of Writing in Dialect

For the poet of color, whose repository of language is often composed of multiple “englishes” (standard English being only one of them), the dialect poem can become a site of great experimentation–and great conflict.  Best known in the American canon, at least in terms of dialect poetry, are the works of noted African Americans poets like [...]

LR News: Suggestions and Upcoming Reading Period

Happy New Year, and welcome back to the Lantern Review blog!  We’d like to kick off the year 2010 with a request for suggestions re: topics/questions/books you’d like us to blog about in the New Year.  As always, we love to hear from you, and want very much to be responsive to our readers and wider [...]

Event Coverage: Breaking English

I mentioned in my last post that I was planning to check out an event on December 4th called Breaking English, hosted by Korean-Brazilian writer Larissa Min.  Larissa moved to Seattle in 2000, where she got her M.F.A. in fiction at the University of Washington.  Since then, she has taught at local community colleges and [...]

Weekly Prompt: “Questions Without Answers”

This week’s prompt is adapted from a writing exercise in Poetry Everywhere: Teaching Poetry Writing in School and in the Community (T&W Collaborative, 2005), a writing handbook now on sale on the Teachers & Writers Collaborative website.
What happens when we die?  Where do noises go?  How far is far?  These types of questions without answers [...]

Editors’ Picks: Teachers & Writers Collaborative Book Sale!

The Teachers & Writers Collaborative is having a book sale!  If you teach English, writing composition, creative writing, anything… these handbooks are a tremendous resource.
The T&W titles on my shelf are: Poetry Everywhere and The List Poem, though I can vouch for numerous others (Listener in the Snow, Handbook of Poetic Forms, etc. ) as well.  I’ve found these [...]