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	<title>Comments for Lantern Review Blog</title>
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	<link>http://lanternreview.com/blog</link>
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		<title>Comment on A Conversation with Joseph Legaspi by Sesaria</title>
		<link>http://lanternreview.com/blog/2009/11/19/a-conversation-with-joseph-legaspi/comment-page-1/#comment-497</link>
		<dc:creator>Sesaria</dc:creator>
		<pubDate>Fri, 12 Mar 2010 13:51:53 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=120#comment-497</guid>
		<description>Very enlightening!  I like the way he described life as art &amp; literature as we myhtologize our childhood &amp; our past in our poems.  I&#039;ll buy &quot;Imago&quot;for those lines!</description>
		<content:encoded><![CDATA[<p>Very enlightening!  I like the way he described life as art &amp; literature as we myhtologize our childhood &amp; our past in our poems.  I&#8217;ll buy &#8220;Imago&#8221;for those lines!</p>
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		<title>Comment on Editors&#8217; Picks: Fiona Sze-Lorrain Interviewed by Retort by Desmond Kon</title>
		<link>http://lanternreview.com/blog/2010/03/02/editors-picks-fiona-sze-lorrain-interviewed-by-retort/comment-page-1/#comment-455</link>
		<dc:creator>Desmond Kon</dc:creator>
		<pubDate>Wed, 03 Mar 2010 09:31:01 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=1138#comment-455</guid>
		<description>Thanks, Iris. You&#039;re very kind. Fiona was lovely to correspond with, and yes, Cerise Press is just a gorgeously produced journal. Love what Mia and you are doing with Lantern Review. Believe it or not, I miss the winters at Notre Dame! Keep warm and be well, dear.</description>
		<content:encoded><![CDATA[<p>Thanks, Iris. You&#8217;re very kind. Fiona was lovely to correspond with, and yes, Cerise Press is just a gorgeously produced journal. Love what Mia and you are doing with Lantern Review. Believe it or not, I miss the winters at Notre Dame! Keep warm and be well, dear.</p>
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		<title>Comment on Editors&#8217; Picks: Reflections on (Re)Fashioning Japonisme by Charissa - The Gifted Blog</title>
		<link>http://lanternreview.com/blog/2010/02/01/editors-picks-reflections-on-refashioning-japonisme/comment-page-1/#comment-283</link>
		<dc:creator>Charissa - The Gifted Blog</dc:creator>
		<pubDate>Thu, 04 Feb 2010 00:11:50 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=853#comment-283</guid>
		<description>Wait, we don&#039;t get to read the poems??
I am particularly interested in #2.    : )</description>
		<content:encoded><![CDATA[<p>Wait, we don&#8217;t get to read the poems??<br />
I am particularly interested in #2.    : )</p>
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		<title>Comment on Weekly Prompt: Poems Using Non-English Words by Iris</title>
		<link>http://lanternreview.com/blog/2010/01/29/weekly-prompt-poems-using-non-english-words/comment-page-1/#comment-279</link>
		<dc:creator>Iris</dc:creator>
		<pubDate>Mon, 01 Feb 2010 16:28:57 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=858#comment-279</guid>
		<description>Vanni,

Thank you so much for sharing this!  I love the opening especially, with its percussive musicality and bold imagery (&quot;while you were / yellow and your arms were crossed in a coffin, while you were / still among the living,all you did was yell&quot;).  The same jarring ambivalence of the speaker towards the &quot;you&quot; is reflected in the sharp, rhythmic sonics, especially towards the ending (&quot;shake a canister . . . . counted / how many lines . . . &quot;.  I love how the Vietnamese names and the choppy quality of the mother&#039;s unconventional English participates in the sonic fragmentation of the poem, organically becoming part of the its clanging (almost angry) vocabulary of motion.  A powerful piece.

Thanks so much again,
The Editors</description>
		<content:encoded><![CDATA[<p>Vanni,</p>
<p>Thank you so much for sharing this!  I love the opening especially, with its percussive musicality and bold imagery (&#8220;while you were / yellow and your arms were crossed in a coffin, while you were / still among the living,all you did was yell&#8221;).  The same jarring ambivalence of the speaker towards the &#8220;you&#8221; is reflected in the sharp, rhythmic sonics, especially towards the ending (&#8220;shake a canister . . . . counted / how many lines . . . &#8220;.  I love how the Vietnamese names and the choppy quality of the mother&#8217;s unconventional English participates in the sonic fragmentation of the poem, organically becoming part of the its clanging (almost angry) vocabulary of motion.  A powerful piece.</p>
<p>Thanks so much again,<br />
The Editors</p>
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		<title>Comment on Weekly Prompt: Poems Using Non-English Words by Vanni</title>
		<link>http://lanternreview.com/blog/2010/01/29/weekly-prompt-poems-using-non-english-words/comment-page-1/#comment-275</link>
		<dc:creator>Vanni</dc:creator>
		<pubDate>Sun, 31 Jan 2010 09:25:15 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=858#comment-275</guid>
		<description>Rites 


I was glad to see you die. But before that, before you turned 
yellow and your arms were crossed in a coffin, while you were 
still among the living, all you did was yell. All that I remember is 
the yelling. You were thin as me, Uncle, a seven-year old girl. You 
were so happy when brother was born. Finally, after mother’s 
misfortune of bearing two girls, here was a boy. First time I ever 
saw you laugh. And then I saw you in the hospital. Three packs a 
day at thirty-two and now you can’t even taste the salt and grease 
on your KFC. 

Santa Clara St., downtown San Jose. It was an ugly Santa Fe-style 
building, a rectangular adobe with white paint chipping off its 
bones. The monks inside chanted Nam Mô A-Di-Ðà Phat for 
you, I could only take five minutes of it at a time. Then I’d leave 
to hang out at the drug store next door, other times I was at the 
movie theatre down the street. Once the monks stopped 
chanting, people came to take your coffin, took it and shoved it 
through an oven door in the wall. The doors closed and then 
flames started shooting. 

Mother made me burn incense and pray for her whenever we 
visited your picture at Chùa Ðuc Viên. She told me to ask for her 
prosperity and for me to do well in school. We’d visit on your 
anniversary, New Year’s, and during the Moon Festival. She’d 
shake a canister until one of the bamboo reeds fell out, counted 
how many lines there were, and then she’d run to the shelves to 
find the corresponding fortune. If she didn’t like what the scroll 
said, she would pass the can to me. &quot;No! Both hands! Shake strong. 
Speak clear. Maybe they not hear me.&quot; They don&#039;t hear me, either.</description>
		<content:encoded><![CDATA[<p>Rites </p>
<p>I was glad to see you die. But before that, before you turned<br />
yellow and your arms were crossed in a coffin, while you were<br />
still among the living, all you did was yell. All that I remember is<br />
the yelling. You were thin as me, Uncle, a seven-year old girl. You<br />
were so happy when brother was born. Finally, after mother’s<br />
misfortune of bearing two girls, here was a boy. First time I ever<br />
saw you laugh. And then I saw you in the hospital. Three packs a<br />
day at thirty-two and now you can’t even taste the salt and grease<br />
on your KFC. </p>
<p>Santa Clara St., downtown San Jose. It was an ugly Santa Fe-style<br />
building, a rectangular adobe with white paint chipping off its<br />
bones. The monks inside chanted Nam Mô A-Di-Ðà Phat for<br />
you, I could only take five minutes of it at a time. Then I’d leave<br />
to hang out at the drug store next door, other times I was at the<br />
movie theatre down the street. Once the monks stopped<br />
chanting, people came to take your coffin, took it and shoved it<br />
through an oven door in the wall. The doors closed and then<br />
flames started shooting. </p>
<p>Mother made me burn incense and pray for her whenever we<br />
visited your picture at Chùa Ðuc Viên. She told me to ask for her<br />
prosperity and for me to do well in school. We’d visit on your<br />
anniversary, New Year’s, and during the Moon Festival. She’d<br />
shake a canister until one of the bamboo reeds fell out, counted<br />
how many lines there were, and then she’d run to the shelves to<br />
find the corresponding fortune. If she didn’t like what the scroll<br />
said, she would pass the can to me. &#8220;No! Both hands! Shake strong.<br />
Speak clear. Maybe they not hear me.&#8221; They don&#8217;t hear me, either.</p>
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		<title>Comment on Friends &amp; Neighbors: Weekend Roundup (Jan 21-27, 2010) by Iris</title>
		<link>http://lanternreview.com/blog/2010/01/20/friends-neighbors-weekend-roundup-jan-21-27-2010/comment-page-1/#comment-253</link>
		<dc:creator>Iris</dc:creator>
		<pubDate>Thu, 21 Jan 2010 17:04:31 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=780#comment-253</guid>
		<description>Jim:  Thank you so much for the update!  I have changed our listing above to reflect the correct information.</description>
		<content:encoded><![CDATA[<p>Jim:  Thank you so much for the update!  I have changed our listing above to reflect the correct information.</p>
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		<title>Comment on Friends &amp; Neighbors: Weekend Roundup (Jan 21-27, 2010) by Jim Beaver</title>
		<link>http://lanternreview.com/blog/2010/01/20/friends-neighbors-weekend-roundup-jan-21-27-2010/comment-page-1/#comment-252</link>
		<dc:creator>Jim Beaver</dc:creator>
		<pubDate>Thu, 21 Jan 2010 16:56:34 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=780#comment-252</guid>
		<description>Update on Lawson Inada&#039;s appearance in Ashland, OR tonight.</description>
		<content:encoded><![CDATA[<p>Update on Lawson Inada&#8217;s appearance in Ashland, OR tonight.</p>
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		<title>Comment on Friends &amp; Neighbors: Weekend Roundup (Jan 21-27, 2010) by Jim Beaver</title>
		<link>http://lanternreview.com/blog/2010/01/20/friends-neighbors-weekend-roundup-jan-21-27-2010/comment-page-1/#comment-251</link>
		<dc:creator>Jim Beaver</dc:creator>
		<pubDate>Thu, 21 Jan 2010 16:55:11 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=780#comment-251</guid>
		<description>Details of Lawson Inada&#039;s appearance tonight at the Hannon Library are on the SOU calendar: http://studentinfo.sou.edu/soucalendar/CalendarResults.asp?EventID=8275

Information is also available on the Hannon Library web site: http://hanlib.sou.edu/events/stafford.html</description>
		<content:encoded><![CDATA[<p>Details of Lawson Inada&#8217;s appearance tonight at the Hannon Library are on the SOU calendar: <a href="http://studentinfo.sou.edu/soucalendar/CalendarResults.asp?EventID=8275" rel="nofollow">http://studentinfo.sou.edu/soucalendar/CalendarResults.asp?EventID=8275</a></p>
<p>Information is also available on the Hannon Library web site: <a href="http://hanlib.sou.edu/events/stafford.html" rel="nofollow">http://hanlib.sou.edu/events/stafford.html</a></p>
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		<title>Comment on A Conversation with Luisa Igloria by Iris</title>
		<link>http://lanternreview.com/blog/2009/11/12/a-conversation-with-luisa-igloria/comment-page-1/#comment-247</link>
		<dc:creator>Iris</dc:creator>
		<pubDate>Wed, 20 Jan 2010 17:44:54 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=185#comment-247</guid>
		<description>Desmond: Thanks so much for stopping by. So glad you&#039;re enjoying our content!  Junot Diaz&#039;s work is indeed wonderful.  I had the chance to hear him read at UND last semester, and his delivery was fantastic.</description>
		<content:encoded><![CDATA[<p>Desmond: Thanks so much for stopping by. So glad you&#8217;re enjoying our content!  Junot Diaz&#8217;s work is indeed wonderful.  I had the chance to hear him read at UND last semester, and his delivery was fantastic.</p>
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		<title>Comment on A Conversation with Luisa Igloria by Desmond Kon</title>
		<link>http://lanternreview.com/blog/2009/11/12/a-conversation-with-luisa-igloria/comment-page-1/#comment-244</link>
		<dc:creator>Desmond Kon</dc:creator>
		<pubDate>Wed, 20 Jan 2010 04:02:42 +0000</pubDate>
		<guid isPermaLink="false">http://lanternreview.com/blog/?p=185#comment-244</guid>
		<description>Dear Iris: I love this interview with Luisa Igloria, and how she says she&#039;s &quot;drawn to writing/writers exploring the multilayered valences of experience and demonstrating the ability to express these nuances in language&quot;. It made me think of Trevor Joyce&#039;s poem, &quot;Construction&quot;, which I just re-encountered, altogether loving his closing section: &quot;My brain had built / A scheme of echoes, / Of ancient meanings held / In rock, in sunlight on ice, / In the low beginnings of thunder // But this wall needed no exterior / Aid for its stability, / No echo in its circumstance.&quot; Also loved the mention of Junot Diaz, whose book, Drown, I&#039;m just getting neck-deep in. Lantern Review is looking really great, dear. Thanks for creating this literary space.</description>
		<content:encoded><![CDATA[<p>Dear Iris: I love this interview with Luisa Igloria, and how she says she&#8217;s &#8220;drawn to writing/writers exploring the multilayered valences of experience and demonstrating the ability to express these nuances in language&#8221;. It made me think of Trevor Joyce&#8217;s poem, &#8220;Construction&#8221;, which I just re-encountered, altogether loving his closing section: &#8220;My brain had built / A scheme of echoes, / Of ancient meanings held / In rock, in sunlight on ice, / In the low beginnings of thunder // But this wall needed no exterior / Aid for its stability, / No echo in its circumstance.&#8221; Also loved the mention of Junot Diaz, whose book, Drown, I&#8217;m just getting neck-deep in. Lantern Review is looking really great, dear. Thanks for creating this literary space.</p>
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