Editors’ Picks: Downtown Chicago Poetry Tour Review

ChicagoPoetryTour1

Over Thanksgiving weekend, I went into Chicago with a few friends, and decided to use the opportunity to try out the downtown portion of the Poetry Foundation’s Chicago Poetry Tour.  My companions very graciously agreed to take the tour with me—no small feat, considering that it’s a 45-minute walking tour, and a few of them were dragging rolling luggage with them the whole time!  Much to our delight, it ended up being a very pleasant experience for all of us.  In particular, one of our number had never been to Chicago before, so it was a perfect way to show him pieces of the Loop.  But even for those of us who were more familiar with the city, it was wonderful to see the neighborhood around Millennium Park from a different perspective.   The downtown portion of the tour (which is the main tour listed on the web site) takes you almost straight down Michigan Avenue (perfect for us, since our train into the city disembarked at Randolph Station), and then turns west and ends a bit more inland.  It works like this: before going to Chicago, you download the audio file containing the guide, and a map (not necessary, but interesting/helpful if you’re one of those directionally challenged people like me who needs to know exactly where you are in reference to the rest of the neighborhood at every minute) from the Poetry Foundation’s website.  The audio is a single track, and is available in either mp3 or mp4.  You then put the audio file on your portable music device, and turn it on whenever you reach the tour’s start point (The Chicago Cultural Center, at 78 E. Washington).  From there, you follow the audio as it guides you through six different stops of interest (pausing whenever you want to explore a shop, get food, or look at something else along the way— the audio even recommends doing this at several points in the narration), and end up at the Harold Washington Library (400 S. State St), which is conveniently located next to a CTA stop.

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Editors’ Picks: Haibun at Hugo House

Rebecca BrownHugo House

This Wednesday, I was lucky to attend Rebecca Brown’s haibun class at the Richard Hugo House in Seattle’s Capitol Hill neighborhood  Haibun is an ancient Japanese poetic form that juxtaposes prose narrative and short haiku. Brown’s interest in the form stems from what she calls “the wonderfully uncategorizeable texts” of contemporary American poets who have taken this ancient form and adapted it to their own literary moment.

The event was packed, and I shared a tiny table in the corner with three other women, one of whom is an alumni of the University of Washington’s M.F.A. program.  Years ago, she helped found the program’s literary journal, The Seattle Review, and studied with the faculty member who initiated The Castalia Reading Series, which is also hosted at Hugo House.  Also in attendance was the editor of a local haiku journal, and one of Seattle’s resident specialists in Beat literature, who volunteered himself to read an example of a haibun from Jack Kerouac’s Desolation Angels, a novel written in 1956 while Kerouac was living in the North Cascade Mountains of Washington State.  Brown’s samples of haibun ranged from pieces like Desoluation Angels to works by John Ashbery and Basho himself, the poet credited as the originator of the haibun form.

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Editors’ Picks: Voices From Southeast Asia

Voices from Southeast Asia

While browsing the library for new voices in Asian American poetry, I came across the book Voices From Southeast Asia: The Refugee Experience in the United States (Holmes & Meier Publishers, 1991).  Though the book is not new, it provides historic context for the experiences that have shaped and seeded much of contemporary Southeast Asian American poetry.  The 247-page volume is comprised of a series of oral histories, each of which features the life experience of a Lao, Hmong, Vietnamese, or Cambodian refugee to the United States.  Though most of the book is written in prose, there are a few narratives in verse form.  The poem below, for example, was written by a Cambodian woman after her relocation to the Bronx.

URBAN LIFE

They take us and put us in boxes to live.

Each family lives in the same kind of box […]

Our boxes are not all in the same building […]

So we talk on the telephone and imagine

what this person does and

how he lives in his box

and I tell him about life in my box.

This poem, probably one of the earliest instances of Southeast Asian American poetry, captures in simple, unsentimental, and uncomplicated terms the experience of resettlement in the United States by a faceless “they,” a “they” responsible not only for “tak[ing] us” from Cambodia, but “put[ting] us in boxes to live.”  In the speaker’s sense of disconnection, her need to construct an imagined community life, and attempts to communicate across fractured lines, one begins to identify the beginnings of Southeast Asian American poetry.

The accounts in the book are, as US Senator Edward Kennedy puts it, “full of the agony of exile, the disruption of the refugee camps, [and] the challenge of starting over.”  Since 1975, over a million Southeast Asians have settled in the United States, established communities across the country, and begun to shape the voice of contemporary Asian American poetry.  The question for Asian American poets writing today, both those of Southeast Asian descent and other ethnicities, is how to engage the concerns of their history and to move forward.

If, in your own writing, you have struggled to engage historical material (family myth, oral narrative, historical text) in verse, please share your experiences here.  What forms and methods have worked for you?  What dilemmas and/or points of resistance have you encountered?  We look forward to hearing your thoughts.

Editors’ Picks: Open Books – A Poem Emporium

A poet’s utopia, Open Books: A Poem Emporium, is a poetry-only bookstore located in Wallingford, Seattle.  Owned and run by husband and wife duo John Marshall and Christine Deavel, Open Books is the only bookstore of its kind on the West Coast (the other is in Cambridge, MA).  The store’s collection caters to a wide range of poetic sensibilities and carries not only recently published works, but a variety of rare and first editions as well.

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