The birds say, Minidoka—
what I mean is that the juniper
		is full of life in December,
hardy sparrows, oblivious
		to stories about birds
		who lose their tongues.
They mean that we can remain
		invisible, as if a ragged tree
		could be an icebox,
		as if it could hold every bird
in America. A man can speak
		about history, as if orchards
		have never been tangled
in barbed wire, as if a man’s family
		could never be packed up, delivered
		to a concentration camp in Idaho.
I say, Minidoka—
		what the birds mean is that
		there is no such thing
		as safety, barely shelter.
			 W. Todd Kaneko is the author of The Dead Wrestler Elegies (Curbside Splendor, 2014) and This is How the Bone Sings (Black Lawrence, 2020) and coauthor of Poetry: A Writer’s Guide and Anthology (Bloomsbury Academic, 2018). A Kundiman fellow, he is coeditor of the literary magazine Waxwing and lives in Grand Rapids, Michigan, where he teaches at Grand Valley State University. • Photo by Tyler Steimle
			W. Todd Kaneko is the author of The Dead Wrestler Elegies (Curbside Splendor, 2014) and This is How the Bone Sings (Black Lawrence, 2020) and coauthor of Poetry: A Writer’s Guide and Anthology (Bloomsbury Academic, 2018). A Kundiman fellow, he is coeditor of the literary magazine Waxwing and lives in Grand Rapids, Michigan, where he teaches at Grand Valley State University. • Photo by Tyler Steimle