 
		Japanese Shrine
Ink drawing, 2018
Even over-Americanized sansei like me
		know about bachi—
		that Japanese karma warning—
		if misfortune strikes,
		it's payback for wrongs
		we did, or maybe crimes
		by some reckless ancestor.
Examples of possible bachi
		are everywhere. A kid playing
		a prank on his brother, and
		the next day a pigeon poops
		on his head. A coach who's too
		harsh with her team losing her
		voice at the title match.
But can this blame game
		explain every misfortune? Does
		bachi explain why I got breast cancer
		my first year retired? Too twisted
		and cruel a Pearl Harbor bachi
		forcing 120,000 of us
		into barbed-wire camps.
Most JAs save
		bachi “I-told-you-so”s
		for less extreme events,
		wondering which
		of the thousand dumb things
		we do today will come back
		to haunt and roost.
Way back when in the old country,
		bachi was a handy tool to keep
		spoiled children and wandering
		husbands in line. And now,
		generations later, aging sansei
		who hear bad news often chime
		in unison, “Bachi.”
Little Tokyo hardly resembles
		the J-town I went to with Grandma,
		but bachi is ingrained—
		Summer of the Big Bachi,
		a popular sansei book title,
		and a Bachi Burger joint
		just down the block.
			 Amy Uyematsu  is a sansei poet and teacher from Los Angeles. She has five published books, including the most recent, The Yellow Door, and Basic Vocabulary. Amy was coeditor of the anthology Roots: An Asian American Reader. A former member of PAAWWW (Pacific Asian American Women Writers West), she currently leads a writing workshop at Little Tokyo's Far East Lounge. 
 • Photo by Raul Contreras.
			Amy Uyematsu  is a sansei poet and teacher from Los Angeles. She has five published books, including the most recent, The Yellow Door, and Basic Vocabulary. Amy was coeditor of the anthology Roots: An Asian American Reader. A former member of PAAWWW (Pacific Asian American Women Writers West), she currently leads a writing workshop at Little Tokyo's Far East Lounge. 
 • Photo by Raul Contreras.
			 Jenna Le is the author of Six Rivers (NYQ Books, 2011) and A History of the Cetacean American Diaspora (Indolent Books, 2018), which won second place in the Elgin Awards. She was selected by Marilyn Nelson as winner of Poetry by the Sea’s inaugural sonnet competition. Her poetry appears in Los Angeles Review, Massachusetts Review, and West Branch. Her visual art, including drawings and watercolors, has appeared or is forthcoming in Ad Libitum, Jubilat, and MAI.  
 • Photo by Minhha Nguyen.
			Jenna Le is the author of Six Rivers (NYQ Books, 2011) and A History of the Cetacean American Diaspora (Indolent Books, 2018), which won second place in the Elgin Awards. She was selected by Marilyn Nelson as winner of Poetry by the Sea’s inaugural sonnet competition. Her poetry appears in Los Angeles Review, Massachusetts Review, and West Branch. Her visual art, including drawings and watercolors, has appeared or is forthcoming in Ad Libitum, Jubilat, and MAI.  
 • Photo by Minhha Nguyen.